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Timpani Tone and the Interpretation of Baroque and Classical Music de Steven L. Schweizer
Descripción - CrÃticas Ideally positioned to offer latter-day performers and scholars an up-to-date view of the developments in knowledge concerning 17th- and 18th-century music. The author is an accomplished timpanist, and the book takes advantage of technology to offer not only brief audio clips demonstrating the tone produced by various timpani techniques, but also 30 annotated timpani parts that detail Schweizers interpretation of select works or portions thereof... Generously illustrated and logically organized... readers will find up-to-date explanations of issues that, in most cases, have been central to timpani performance throughout history. (John Michael Cooper Early Music) Reseña del editor Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners. BiografÃa del autor Steven L. Schweizer has served as timpanist with the Topeka Symphony and Florence [SC] Symphony Orchestras. He is Associate Professor and Program Coordinator of the Political Science Department at Newberry College.
Detalles del Libro
- Name: Timpani Tone and the Interpretation of Baroque and Classical Music
- Autor: Steven L. Schweizer
- Categoria: Libros,Arte, cine y fotografÃa,Música
- Tamaño del archivo: 11 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descarga Timpani Tone and the Interpretation of Baroque and Classical Music de Steven L. Schweizer Libro PDF
Timpani Tone and the Interpretation of Baroque and ~ Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart.In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it.
Timpani Tone and the Interpretation of Baroque and ~ p75 - Free download as PDF File (.pdf), Text File (.txt) or read online for free. asdf
Timpani Tone and the Interpretation of Baroque and ~ Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it.
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Timpani tone and the interpretation of baroque and ~ "Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart.
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Timpani tone and the interpretation of baroque and ~ Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.
Timpani Tone and the Interpretation of Baroque and ~ Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on
Timpani Tone and the Interpretation of Baroque and ~ Timpani Tone and the Interpretation of Baroque and Classical Music is a near-exhaustive, certainly very competent and well-produced and illustrated, study of the theory and practice of producing timpani tone in symphonic music from 1725 onwards.
Timpani tone and the interpretation of baroque and ~ Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses onthe components of timpani tone and methods for producing it. In so doing, he discusses the importance .
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Timpani (Baroque) – Early Music Instrument Database ~ Timpani solo. Marche de Timbales, by Philidor Cadet. Marie-Ange Petit, timpani. Charpentier Te Deum. Les Arts Florissants, directed by William Christie. Harmonia Mundi 901298 (1989). Trk 1. Most baroque music calls for just two timpani, pitched a fourth apart on the tonic and dominant of the key, although there are exceptions.
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The Differences between Baroque and Classical music - CMUSE ~ Differences between Baroque and Classical music. One of the outstanding differences between these key periods of Western Classical Music is the change in creative thinking. Baroque music as we can clearly hear in the music of a composer such as J. S Bach is textural complexity and the dominance of polyphonic writing.
Discovering the Timpani Drum in Classical Music - dummies ~ The word timpani is Italian, and it’s plural, because you never see fewer than two in one place (except in Figure 1). Composers never write for a single kettledrum. Where to hear the timpani. You can hear the timpani strutting their stuff (along with many other percussion instruments) in Béla Bartók’s Music for Strings, Percussion, and Celesta— an ingenious, way-out work of music.
5 Hours With The Best Baroque Classical Music Ever / Focus Reading Recharge Studying Relaxing Music ~ 0:00 Canon and Gigue in D Major, P.37 - Pachelbel 5:29 Solomon, HWV 67 "Arrival of the Queen of Sheba" - Händel 8:57 Berenice: Overture, Minuet, Gigue, HWV 3.
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Characteristics of Baroque Music: An Introduction - CMUSE ~ Characteristics of Baroque Music. In terms of Western Art, the Baroque period followed the Renaissance and is broadly agreed to cover the years from 1600 until around 1750 when the Classical period began. What we discover when we look closely at the characteristics of this period of musical history is that flows as a natural progression from the one that came before.
Timpani and Percussion Author: Jeremy Montagu May-2002 ~ Timpani and Percussion Author: Jeremy Montagu May-2002: : Libros
Baroque Timpani solo ~ Variations on an Eighteenth Century Theme (published by J.E. Altenburg in 1795), improvised by Ben Harms on Baroque Timpani of his own design and manufacture.